"I don't know how Eric Honeycutt is able to do what he does. He has been there to capture some of the biggest moments of my life and his photographs are almost always more powerful and rich than my memory of the moments themselves. I couldn't be more grateful.
We've worked with dozens of professional photographers over the years, but none like Eric. He implicitly understands the band and his photography reflects that. We trust him."
— Eric Holljes - LEAD VOCALS: Delta Rae

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"Eric of Vegablue is able to capture moments that no one else can.  I'm not sure how he does it. Fierce, Sweet, Peaceful, Rowdy...he has an eye for it ALL. Somehow, every single photograph tells a story.  His work always draws me in immediately."
— Jeanne Jolly - SINGER/SONGWRITER: Jeanne Jolly

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“I know Eric as a very creative and unique photographer. With a powerful collection of stunning images, he has a beautiful soul that is evident to all who come into contact with him. A friend, a talent, a true artist.”  
  — Alexey Ivanov - WINNER OF PX3, Prix de la Photographie Paris in the "Advertising - Professional" category.

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"In one simple word his photography is just stunning."
— Excerpt from Nicole Young's book "(micro)STOCK"

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"M. Eric Honeycutt, is an artist that's well worth checking out. His work is dark, macabre and has that 'out of this world' element that so many struggle to capture. Check it out if you're looking for an inspirational macabre fix" 
— Deviant Art: Photography Fortnightly: Edition 50

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"With a firm command of Southern Gothic vocabulary, Eric Honeycutt presents his surreal vision of macabre elegance; an alternate dimension, temporally removed (yet, ever so slightly), that appears to mere mortals in brief peripheral glimpses. There for a second and gone before you can be sure something was there. His dimension occupies the decaying barn – the one with all the rusty tools which appear to have served a suspicious alternate purpose, the old dilapidated theater – the one where thirty-nine townspeople died in that fire, and the antique plantation house – the one that belonged to that supposed coven of witches. More accurately, it is a dimension which dwells in the dark recesses of your psyche, and frequently arrives when the clock strikes midnight. Perhaps it is not surprising. After all, Honeycutt is known to pull imagery from his own nightmares. And while not all of the inhabitants of Honeycutt’s netherworld are particularly malicious, one gets the distinct impression that they all keep skeletons in their closet – skeletons which they will keep secret at all costs"
 — Au Courant Magazine